海洋噪波变速以及解决视效难点Retiming Ocean Spectra

When you have complex ocean spectra layered together using masks with varying speeds, and even animated timescales, retiming them while keeping the same approved look becomes a technical challenge. In this lesson you will see how to achieve this as a procedural post retime operation, without having to modify any ocean spectra individually. We will also look at how to approach solving technical problems in VFX production using Houdini.

Presentation begins at 11:20

Yunus Balcioglu is a Senior FX Technical Director with experience from studios such as Industrial Light & Magic and MPC. Feature film credits include Star Wars: The Rise of Skywalker, X-Men: Dark Phoenix, Aquaman, Alien: Covenant, Pirates of the Caribbean: Dead Men Tell No Tales, and many more. He previously worked in Silicon Valley building an interactive lidar, radar, camera analyzation and visualization tool for Lyft’s Level 5 Autonomous Vehicle Division in Palo Alto. Before working in feature-film visual effects, he worked in the game industry as a Technical Artist at EA.
谷歌翻译：
当您使用各种速度（甚至是动画时标）的蒙版将复杂的海洋光谱叠加在一起时，在保持相同的批准外观的同时重新定时将成为一项技术挑战。在本课程中，您将看到如何通过重新定时操作来实现此目的，而不必单独修改任何海洋光谱。我们还将研究如何使用Houdini解决VFX生产中的技术问题。

演示从11:20开始

Yunus Balcioglu是一位高级外汇技术总监，在诸如Industrial Light＆Magic和MPC等工作室工作过。长片的制作人包括《星球大战：天行者的崛起》，《 X战警：黑暗凤凰》，《海王》，《外星人：盟约》，《加勒比海盗：死人不讲故事》等等。他先前曾在硅谷工作，为Lyft的Palo Alto的5级自动驾驶汽车部门构建了交互式激光雷达，雷达，摄像机分析和可视化工具。在从事故事片视觉效果工作之前，他曾在游戏行业担任EA的技术美术师。